SPRING WATERCOLOR CLASSES

My Class, Introduction to Water Color, at Kala Art Institute Starts March 12:

Introduction to Watercolor

Francesca Pastine
Class #28: Tuesdays, March 12, 19, & 26, 6:30-9:30pm
Tuition $135

The spontaneity and luminosity of watercolor on paper is unsurpassed and can be used to enhance and personalize your prints. This class will engage you in a laboratory of techniques and practice designed to make you comfortable with the watercolor medium. You will begin to set up experiments that will lead you to your own unique visual language. Methods of critical analysis, color literacy, contemporary painting issues, and basic painting methods and skills will be introduced. I will demonstrate color flooding, wet into wet, color luminosity, soft and hard edges, and special techniques to create verve and visual interest in your work.
Francesca Pastine was born in New York City and received her MFA at the San Francisco Art Institute. She has had exhibitions throughout the Bay Area and many major cities including New York, Los Angeles, Chicago, Seattle, Milwaukee, and Sofia. Pastine is represented by Eleanor Harwood Gallery in San Francisco and Pentimenti Gallery. in Philadelphia. She will participate in an exhibit, Rebound: Dissections and Excavations in Book Art, at Halsey Contemporary Art Centre at the University of North Carolina in 2013. Pastine is the recipient of Pollock-Krasner Grant and a Kala Art Institute Fellowship. She has taught art at the San Francisco Art Institute, California College of the Arts, the City College of San Francisco, and Dominican University.
http://francesca.pastineart.com

REGISTER NOW

& I have two classes starting in April at CCSF:

Painting: Introduction to Watercolor Workshop
Class #: AR425 Register Now
Watercolor is a beautiful and versatile medium which has recently been embraced by contemporary art practice. It is suited for larger studio work, for quick journal and travel sketches, or for painting in plein-air. This workshop is designed to introduce students to all aspects of watercolor materials and techniques such as color, transparency, texture, wet into wet, and other tricks of the trade. You will be introduced to artists working in this medium through books and local art exhibitions. Gain confidence with watercolor and begin your exploration of this luminous and exciting medium. Take advantage of the spontaneity and inherent beauty of the watercolor medium, while engaging your personal vision through the unique experience that watercolor has to offer.
Instructor: Francesca Pastine
Cost: $150
Cost: $135 (if registered up to one week before the class begins)
Day: Tues.        # of meetings: 5
Date(s): 4/9 - 5/7
Time: 6:30 PM - 9:30 PM
Location: Fort Mason, Bldg B     Rm: 203

Painting with Water Media
Class #: AR478 Register Now

The purpose of this class is to engage you in a laboratory of contemporary practice using water based media such as watercolor paint, gouache, ink and non-traditional media such as coffee.  We will explore how watermedia reacts on different surfaces. The spontaneity and luminosity of water based material on paper is unsurpassed. You will begin to set up experiments that will lead you to your own unique visual language. Methods of critical analysis, color literacy, contemporary painting issues, and basic painting methods and skills will be introduced. There will be slide lectures, suggested exhibitions and readings, and group interaction through critiques and shared experience.
Instructor: Francesca Pastine
Cost: $150
Cost: $135 (if registered up to one week before the class begins)
Day: Thurs.        # of meetings: 5
Date(s): 4/18 - 5/16
Time: 6:30 PM - 9:30 PM
Location: Fort Mason, Bldg B     Rm: 203
Material fee (pay to instructor):  $10

CCSF INTRODUCTION TO WATERCOLOR WORKSHOP

My Introduction to Watercolor Workshop starts Tuesday April 9. This five week workshop consists of daily lessons and assignments that progressively improve your skills and knowledge. The class will encourage and enlighten you on your search for a balance between ideas and forms that best give voice to your paintings. Whatever the level of your experience, you will be encouraged to approach your painting with vigor and an open mind through the ebb and flow of technique and personal vision.

There is a discount on early registration :)

John Singer Sargent (American, 1856–1925). The Cashmere Shawl, circa 1911. Translucent watercolor and touches of opaque watercolor and wax resist with graphite underdrawing, 19 15/16 x 14 in. (50.7 x 35.5 cm). Museum of Fine Arts, Boston, The Hayden Collection—Charles Henry Hayden Fund. Photograph © 2013 Museum of Fine Arts, Boston

John Singer Sargent Watercolors

 

JOHN SINGER SARGENT WATERCOLORS AT THE BROOKLYN MUSEUM

A great opportunity if you're in the area to see these splendid watercolors!

Here is the write up from the Brooklyn Museum website:

This landmark exhibition unites for the first time the John Singer Sargent watercolors acquired by the Brooklyn Museum and the Museum of Fine Arts, Boston, in the early twentieth century. The culmination of a yearlong collaborative study by both museums, John Singer Sargent Watercolors explores the watercolor practice that has traditionally been viewed as a tangential facet of Sargent’s art making. The ninety-three pieces on display provide a once-in-a-generation opportunity to view a broad range of the artist’s finest production in the medium.
Brooklyn’s thirty-eight watercolors, most of which have not been on view for decades, were largely purchased from Sargent’s 1909 debut exhibition in New York. Their subjects include Venetian scenes (The Bridge of Sighs), Mediterranean sailing vessels, intimate portraits (A Tramp), and Bedouin subjects (Bedouins). Boston’s watercolors, purchased in 1912, are more highly finished than the Brooklyn works. They feature subjects from his travels to the Italian Alps, the villa gardens near Lucca, and the marble quarries of Carrara, as well as portraits. The exhibition also presents nine oil paintings, including Brooklyn’s An Out-of-Doors Study, Paul Helleu and His Wife (1889) and Boston’s The Master and His Pupils (1914).
New discoveries based on scientific study of Sargent’s pigments, drawing techniques, and paper preparation are featured in a special section deconstructing his techniques. Select works throughout the exhibition are paired with videos that show a contemporary watercolor artist demonstrating some of Sargent’s methods.